Jargon, 2017, 18" x 24", acrylic, copper, thread, glass beads


The series is an interpretation of how the relationship between two opposing concepts can be expressed in an infinite number of ways. The series aesthetically translates the interactions of this relationship by building up textile landscapes with inherently contrasting materials. Coding and symbols naturally result through the process of combining forms and color. The symbolism that occurs emphasizes the arbitrary way coding exists if a specific point of reference is unavailable.